The book contains a collection of poems on numerous subjects and is written by me, Benjamin Robinson.
It includes the poem Give.
Do not give up, do not give up,
no matter the obstacles in front of you,
and do not fail to see,
that any obstacle cannot be overcome,
if you approach it correctly,
and do not give up, and think about things a little while,
and in time you will see there is no obstacle too big,
because every obstacle is all in the mind,
whether imaginary or physically,
and so, if you think about it,
if you really think about it if there is a problem,
then there must be a solution,
and with perseverance, and logic and common sense,
if you apply your mind, you will overcome it,
because a mountain, is not a mountain if you think clearly.
Literary Critique: “Halfway to Nowhere” by Ben Robinson
“Halfway to Nowhere” is a powerful meditation on liminality—on being stuck between states, decisions, places, and selves. In this collection, Ben Robinson writes from the in-between, capturing the stasis and quiet ache of those who have left something behind but haven’t yet found what comes next. The result is a poignant, searching exploration of ambiguity and emotional inertia.
Themes and Motifs
The central theme is dislocation—emotional, spiritual, and psychological. These poems are about drifting, hesitating, and waiting. The speaker is often suspended in uncertainty, unsure whether to move forward or retreat. Motifs include train stations, roads, dust, abandoned buildings, twilight, and unanswered messages—all evoking a sense of incomplete transition.
Style and Structure
Robinson’s poetic form echoes his thematic concerns. The pacing is slow and deliberate, mirroring emotional pause and indecision. Many poems use enjambment and repetition to reflect obsessive or circular thinking. Some are written in couplets or sparse fragments, as if the speaker can’t bring themselves to fully articulate the emotional landscape they occupy.
Tone and Voice
The tone is subdued, wearied, and emotionally suspended. The speaker is not defeated, but disoriented. The voice is honest, raw, and often quietly philosophical. There’s little anger here—only reflection and the ache of unrealized movement. The emotional temperature is low, but the intensity is real.
Imagery and Poetic Devices
Robinson uses stark, desaturated imagery—gray skies, empty chairs, dim motels, flickering lights. These images reinforce the sense of being between destinations. Poetic devices such as repetition and ellipses create emotional tension. Silence plays a major role—many poems feel like conversations interrupted, or thoughts not quite finished.
Standout Poems
- “Halfway to Nowhere”: The title poem perfectly encapsulates the book’s emotional atmosphere—quiet, uncertain, and searching.
- “Motel Window”: A visual, atmospheric piece about waiting without knowing what for.
- “The Wrong Direction”: A poem that subverts the idea of progress with subtle emotional insight.
- “Stillness”: A brief but affecting meditation on emotional paralysis.
Potential Development
Some pieces could benefit from stronger emotional contrast. The tone is so consistent that a few moments of emotional escalation—anger, hope, revelation—might help heighten the overall arc of the collection.
Conclusion
“Halfway to Nowhere” is a stark and eloquent collection about emotional suspension. Ben Robinson captures what it feels like to linger in transition—when there’s no way back, but the road ahead remains invisible. It’s a quiet but resonant book, offering solace to anyone who’s ever found themselves paused between two versions of their life.
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